Digital Darkroom
adriene hughes introduction to digital photography
adriene hughes introduction to digital photography

 

 

 

 

 

softservegirl@mac.com
http://www.adrienehughes.com
http://www.softservegirl.com
ART 40441
6:30 –9:30 PM
Instructor: Adriene Hughes
OBJECTIVE

This course is designed to familiarize the digital and film photographer to all introductory phases of digital data transfer, workflow, and photographic manipulation with the use of Photoshop CS3 and Bridge. No photography assignments will be given though you are expected to bring in on a weekly basis photographs to experiment with. It is my suggestion to be familair with the syllabus, know what applications will be taught each week, and bring in images that could use "help" in that particular direction.

ATTENDANCE Attendance is mandatory. Lectures and demonstrations will occur throughout each class meeting. Because of this, arriving in a timely fashion is necessary. Lectures and demonstrations will not be repeated.
GRADING

Grading is based on, but not limited to: participation in class, technical ability, personal progress / improvement, and creative innovation. Personal progress and improvement will be based on each individual and not based on the class as a whole. Attention will be focused on producing a final portfolio. A class critique by both Students and Instructor will take place on the last day of instruction. The final portfolio will consist of six (6) 8 x 10” images of your choosing from the weekly manipulations.

75% Attendance and classroom participation
25% Final portfolio of images
5% Extra Credit Photograph

Final Grades:
A = 90% - 100%
B = 80% - 89%
C = 70% - 79%
D = 60% - 69%

EQUIPMENT and TEXTBOOK

This course requires the use of digital photographic files. They may be produced on a film SLR, a DSLR or a Point-and-Shoot by any manufacturer. You will also need a USB thumb drive to bring all of your photographic files into class with you. You can also use an external firewire or USB drive that is PC formatted. Unfortunately we are using a PC lab, so drives that are MAC formatted will not work.

Recommended Book The Photoshop CS3 Book by Scott Kelby

Week 1

Introduction by Instructor
Introduction of Students

Introduction to Bridge
Reconfiguring Bridge (page 28)
What is Metadata and how do we use it? (page 32)
What are Keywords and how do we use them? (page 48)
Saving images to folders (batch renaming and organization - page 60)
Marking, Sorting and Rating images (page 36)
Importing images to Camera RAW (CRW)
White Balance adjustments in CRW
Tools in CRW

For next week please be prepared to bring in 5 images of each (underexposed, overexposed and shot just right). We will be correcting the WB and basic adjustments, creating diptychs of before/after, and uploading to our FLICKR accounts. Please see student's examples
.

Week 2

Learning to work in Camera RAW / Bridge

Opening Raw and JPEG in CRW (page 74)
White Balance and syncing multiple images (page 77)
Exposure (page 82)
Clarity (page 90)
Resolution, Image Size, Color Space, Bit Depth (page 91)

Cropping and Straightening in Bridge(94)
Editing Multiple Photos at One Time! (98)
Sharpening in Camera Raw (page 101)
Edge Vignetting (page 118)


For next week please be prepared to bring in several images of your choices that denote an activity. We will be making a picture-in-picture with text. Please see student's examples
.

Week 3

What is the CS3 Interface?

Introduction to CS3 Interface (page 138)
Cropping Photos (page 140)
Cropping Rules of Third (Page 144)
Cropping to a Specific Size (Page 148)
Aspect Ratio (Page 150)
Custom Crop Tools (Page 152)
Custom Sizes (page 155)
Smart Object Resizing (Page 160) picture-in-picture
Automation (Page 166)
Upres Pictures (Page 168)
Downres Pictures (Page 171)
Straightening Photos (Page 174)

Week 4 Common Digital Problems

LET'S FIX THAT FACE!!


When Subject is in Shadow (page 257)
Quick Fix Overexposure/Underexposure (page 264)
Dodge and Burn (page 268)
Removing Blemishes (page 290)
Want to fix a double chin? (page 293)
Dark Circles under eyes (page 295)
Reduce Wrinkles (page 297)
People Magazine total Fake but Good (page 301)
Want some lip gloss? (page 305)
Brighten eyes (page 309)
Give me That SMILE (page 313)
Hot spots (315)
Give me skin like a Goddess (317)

Week 5

Black and White Conversion

Quadtoning for rich b/w (page 334)
High Contrast portraits (page 347)
Infrared Effect (page 358)
Neutral Density Gradient Filter AND FAKING IT! (page 360)
Cheesy Wedding Stuff (page 367)

HDR
Panoramic



The rest of the class will be used to work on techniques and/or questions of any of the above issues.

FINAL ASSIGNMENT

Assignment for FINAL WEEK: Produce six (6) images that you feel are your strongest photographic results from the above assignments. Your challenge is to apply your post-production abilities and TWEEK those images so that they meet acceptable results. Please make six before/after sets so that we may see your digital process work in diptych format. Each image must be printed no smaller than 8x10”, but it would be best to print larger. I am leaving size up to you, the photographer. Please mount each photograph on mount board.

Week 6
CLASS CRITIQUE of Final Portfolio

Websites of Interest

Glossary of Photographic Terms
How to Make a Photoblog
Digital Camera Review and News
Creating an Easy Portfolio

Sports Photography
Wildlife Photography
Digital Darkroom
Pro Techniques

AK47 — an online art photography magazine showcasing both fine arts and documentary photographers.
BLIR — for emerging artists.
Blueeyes — an online documentary photography magazine devoted to publishing new long-term project work. It is a labor of love created by a dedicated group of people who believe in the power of still photography.
F-STOP — a photography magazine.
mooncruise* — featuring photography and music by international artists.
Revolver — photojournalism, street & travel photography.
seesaw — observation full and felt.
LOOK AT ME — a collection of found photographs.
PIXELPRESS — encouraging documentary photography through a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.
lens culture — photography and shared territories.
MakingRoom — a magazine about the process, intention and results of image-making.
FILE — a collection of unexpected photography.