Digital Darkroom
adriene hughes introduction to digital photography
adriene hughes introduction to digital photography

 

 

 

 

 

abhughes@ucsd.edu
http://www.adrienehughes.com
http://www.softservegirl.com
ART 40441
6:30 –9:30 PM
Instructor: Adriene Hughes
OBJECTIVE

This course is designed to familiarize the digital and film photographer to all introductory phases of digital data transfer, workflow, and photographic manipulation with the use of Photoshop CS4, Adobe Bridge and Adobe Lightroom. No photography assignments will be given though you are expected to bring on a weekly basis photographs to apply towards these applications. It is my suggestion to be familair with the syllabus, know what applications will be taught each week, and bring in images that could use "help" in that particular direction.

ATTENDANCE Attendance is mandatory. Lectures and demonstrations will occur throughout each class meeting. Because of this, arriving in a timely fashion is necessary. Lectures and demonstrations will not be repeated.
GRADING

Grading is based on, but not limited to: participation in class, technical ability, personal progress / improvement, and creative innovation. Personal progress and improvement will be based on each individual and not based on the class as a whole. Attention will be focused on producing a final portfolio. A class critique by both Students and Instructor will take place on the last day of instruction. The final portfolio will consist of six (6) 8 x 10” images of your choosing from the weekly manipulations.

75% Attendance and classroom participation
25% Final portfolio of images
5% Extra Credit Photograph

Final Grades:
A = 90% - 100%
B = 80% - 89%
C = 70% - 79%
D = 60% - 69%

EQUIPMENT and TEXTBOOK

This course requires the use of digital photographic files. They may be produced on a film SLR, a DSLR or a Point-and-Shoot by any manufacturer. You will also need a USB thumb drive to bring all of your photographic files into class with you. You can also use an external firewire or USB drive that is PC formatted. Unfortunately we are using a PC lab, so drives that are MAC formatted will not work.

Required Book The Photoshop CS4 Book by Scott Kelby
Recommended Book Adobe Photoshop Lightroom Book by Scott Kelby
Recommended Book The Photoshop Lightroom Workbook by Seth Resnick

Week 1

Introduction by Instructor
Introduction of Students

Introduction to Bridge
Reconfiguring Bridge
What is Metadata and how do we use it? (page 56 & 57)
What are Keywords and how do we use them? (page 48 - 50)
Saving images to folders (batch renaming and organization - page 62 - 65)
Marking, Sorting and Rating images (page 18 - 21)
Importing images to Camera RAW (CRW)
White Balance adjustments in CRW
Tools in CRW

For next week please be prepared to bring in 5 images of each (underexposed, overexposed and shot just right). We will be correcting the WB and basic adjustments, creating diptychs of before/after, and uploading to our FLICKR accounts. Please see student's examples
.

Week 2

Learning to work in Camera RAW (Bridge) and Introduction to Lightroom

Opening Raw and JPEG in CRW (78-80)
White Balance and syncing multiple images (81-84)
Exposure (page 85-89)
Clarity / sharpening (page 91-92)
Resolution, Image Size, Color Space, Bit Depth (page 143)

Cropping and Straightening in Bridge(99-101)
Editing Multiple Photos at One Time!
Sharpening in Camera Raw (page 117-121)
Edge Vignetting (page 124-127)

HOMEWORK: make 5 diptychs of before/after images using BRIDGE/CRW for White Balance adjustments, exposure, color saturation. Upload those images to FLICKR and the group user page (UCSD Digital Darkroom). Here's a tutorial for HOW TO MAKE A DIPTYCH

For next week please be prepared to bring in several images of your choices that denote an activity. We will be making a picture-in-picture with text. Please see student's examples
.

Week 3

What is the CS4 Interface?

Introduction to CS4 Interface
Cropping Photos
Cropping Rules of Third
Cropping to a Specific Size
Aspect Ratio
Custom Crop Tools
Custom Sizes
Smart Object Resizing picture-in-picture
Automation
Upres Pictures
Downres Pictures
Straightening Photos

HOMEWORK: 1. make a picture-in-picture as learned in class (tutorial in case you need to review) and upload it to the UCSD Digital Darkroom flickr page. 2. Make a diptych from two images that compare and contrast a scene. Examples here of a diptych used as compare/contrast to highlight a portrait or event.

Week 4

Common Digital Problems

LET'S FIX THAT FACE!!


CS4 book pages:
page 155 retouching portaits in Camera Raw
page 316 high contrast portrait
page 330 portrait finishing techniques


Textured Layers: instructions not found in book


Week 5

Black and White Conversion
Chapter 8 in Scott Kelby's CS4 book


The rest of the class will be used to work on techniques and/or questions of any of the above issues.

FINAL ASSIGNMENT

Assignment for FINAL WEEK: Produce six (6) images from the above assignments. Your challenge is to apply your post-production abilities and TWEEK those images so that they meet acceptable results. Please make six before/after sets so that we may see your digital process work in diptych format. Each image must be printed no smaller than 8x10”, but it would be best to print larger. I am leaving size up to you, the photographer. Please mount each photograph on mount board.

1. picture-in-picture
2. diptych
3. texture image
4. portrait
5. black and white conversion
6. OPEN - surprise me!

Week 6
CLASS CRITIQUE of Final Portfolio

Websites of Interest

Glossary of Photographic Terms
How to Make a Photoblog
Digital Camera Review and News
Creating an Easy Portfolio

Sports Photography
Wildlife Photography
Digital Darkroom
Pro Techniques

AK47 — an online art photography magazine showcasing both fine arts and documentary photographers.
BLIR — for emerging artists.
Blueeyes — an online documentary photography magazine devoted to publishing new long-term project work. It is a labor of love created by a dedicated group of people who believe in the power of still photography.
F-STOP — a photography magazine.
mooncruise* — featuring photography and music by international artists.
Revolver — photojournalism, street & travel photography.
seesaw — observation full and felt.
LOOK AT ME — a collection of found photographs.
PIXELPRESS — encouraging documentary photography through a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.
lens culture — photography and shared territories.
MakingRoom — a magazine about the process, intention and results of image-making.
FILE — a collection of unexpected photography.