• Home
  • Embroidered Photographs
    • Strange and Sacred
    • The Secret Life of Trees I
    • The Secret Life of Trees II
    • The Secret Life of Trees III
    • The Secret Life of Trees IV
    • Threaded Icebergs I
    • Threaded Icebergs II
    • Threaded Icebergs III
  • Vernacular
    • 1960's Brooklyn Wedding
    • The Lone Sentinel
    • Portals
    • Portraits
    • Landscapes
    • Yosemite National Park
    • California Desert
    • Buildings & Places
  • Projects
    • California Desert
    • Greenland
    • Iceland
  • Public Art
    • Hyatt Mission Pacific Hotel
    • Oh Lovely Desert
    • Forces of Nature
    • The Resonance of Loss
    • Intergalactic Dreaming
  • Print
    • Counterculture in Contemporary Photography
    • Embroidery Magazine
    • Harper's Magazine
  • Video Installation
    • Idyllwild
    • The Resonance Of Loss
    • The Criteria of Shape
  • About Me
  • Bio/Contact
  • CV
  • Acquire
  • Disclaimer
  • Menu

Adriene Hughes

  • Home
  • Embroidered Photographs
    • Strange and Sacred
    • The Secret Life of Trees I
    • The Secret Life of Trees II
    • The Secret Life of Trees III
    • The Secret Life of Trees IV
    • Threaded Icebergs I
    • Threaded Icebergs II
    • Threaded Icebergs III
  • Vernacular
    • 1960's Brooklyn Wedding
    • The Lone Sentinel
    • Portals
    • Portraits
    • Landscapes
    • Yosemite National Park
    • California Desert
    • Buildings & Places
  • Projects
    • California Desert
    • Greenland
    • Iceland
  • Public Art
    • Hyatt Mission Pacific Hotel
    • Oh Lovely Desert
    • Forces of Nature
    • The Resonance of Loss
    • Intergalactic Dreaming
  • Print
    • Counterculture in Contemporary Photography
    • Embroidery Magazine
    • Harper's Magazine
  • Video Installation
    • Idyllwild
    • The Resonance Of Loss
    • The Criteria of Shape
  • About Me
  • Bio/Contact
  • CV
  • Acquire
  • Disclaimer
Adriene Hughes

  • My Website

  • BlackBox Projects

  • Editions Textual

  • Wired Magazine

  • Fraction Magazine

  • Lenscratch : The Artist Intervenes

  • Women in Art and Science




Back to Top

Adriene Hughes ©2025